Thira or Theyyamthira is one of the temple art forms that originated in the Northern part (Malabar) of Kerala. It is the sub-divisions of Theyyam with some dis-similarities in their conceptual framework. In Theyyam, the performer is considered the representative of God, and in Thira, the performer is possessed by the gods or goddesses. Wayanad is one of the districts of Kerala in India, famous for Thira art forms. Bhagavathi Thira, Murikkanmar thira, Guligan thira, Muthappan thira, Bhairavan Thira, Kuttichathan Thira, and Velichappadu (revealer of light) are the major temple-oriented ritualistic art forms. It handles dance, imitation, storytelling, and symbolic representation that glorify the rich heritage and history. This paper will discuss that how interdisciplinary research and dialogue in the performing arts, drawing on insights from anthropology, ethnomusicology, theatre studies, dance anthropology, and other related subjects. In museums when the material cultures of performing arts are being displayed by integrating multiple viewpoints and approaches, it enriches our understanding of the cultural richness and dynamic nature of performing arts practices. Performing arts are frequently transitory in nature, existing only at the moment of performance and leaving behind few concrete artefacts. This paper will discuss the issues and need of documentation and preservation initiatives in museums because capturing the spirit of a performing art through an object for generations. Keywords: Thira Artform, Material aspect, Museum Anthropology, Symbolic representation, performing arts.