Paper
The Formation of the Mzimba Heritage Association - A Cultural Grouping
presenters
naomi msusa
Nationality: Malawi
Residence: Namibia
Presence:Face to Face/ On Site
Professor Boston Soko
Nationality: Malawi
Residence: Malawi
Presence:Face to Face/ On Site
Keywords:
reclaiming, reimagining, anthropological, erosion, resilience
Abstract:
This paper explores the historical trajectory of the Ngoni cultural erosion in Malawi, focusing on three significant phases of the nineteenth and twentieth centuries. Influenced by early missionaries, the first phase characterized Ngoni culture as primitive and morally corrupt. Conversion to Christianity necessitated the abandonment of traditional practices and beliefs, leading to a gradual erosion of cultural identity. The second phase, marked by the colonial administration, further accelerated cultural erosion by imposing restrictions on traditional dances and rituals. These measures were implemented to alienate the Ngoni from their cultural practices, weakening their social cohesion and diminishing the potential for resistance or rebellion against colonial rule. The third phase emerged with the onset of the first African post-colonial totalitarian regime, followed by the current era of democracy, both of which instrumentalized Ngoni culture for political gain. Ruling regimes appropriated aspects of Ngoni governance and integrated Ngoni traditional dances and songs into political events to bolster its legitimacy. However, this phase also witnessed a general decline in interest in indigenous cultures as the government's focus shifted toward modernization and nation-building. Recognizing the need to preserve and revitalize their cultural heritage, the Ngoni elite established the Mzimba Heritage Association. The association's primary objective is to repair the damage inflicted on Ngoni culture over the centuries and to revive, restore, and safeguard their traditions. Through a variety of strategies, including cultural festivals, educational programs, and community outreach initiatives, the association has successfully revitalized Ngoni culture beyond expectations. This paper and the accompanying documentary contribute to the broader discourse on cultural preservation and revitalization in post-colonial societies, highlighting the importance of community-driven initiatives in reclaiming and reimagining anthropological knowledge.